Indian entertainment industry is very fragmented. Indian players are primarily involved in the activities of labor production and post-production, as the work of a "service" in the revenue model "work for hire." This means that most skill sets are at the lower end of the chain. Though there are some companies that offer world-class capabilities for India to emerge as a global entertainment center, it is necessary to extend these capabilities to through a greater part of the industry, focusing on the ownership of intellectual property. Content development activities and pre-production are emerging in India, for both domestic and outsourcing market. However, this trend should be some momentum, largely due to corporate e-learning. Content requirement of e-Learning companies is expected to grow 11% per year (2009-13). This content requirement, coupled with the tendency of companies in the United States to outsource custom content development is likely to be an opportunity for the future development of personalized content companies in India.
Recent trends and growth indicators The entertainment industry in India animation should be marked by trends and growth factors, both internal (contribution: 25% in 2010) and outsourcing (contribution: 75% in 2010). Animation gradually on For the animation to achieve the same level of success in India and the west, which requires a public resource is not limited only to children. Animation has matured their perception of being only for children. Increase audience animation content for adults as a percentage of the hearing children's channels indicates a substantial increase in public for the category group 14 + years. Growing popularity of animation content for adults should be a key pillar industry of animation entertainment at home. More emphasis on Gender Kids In 2010, two channels for children were launched. The number of television channels dedicated to animation and children has been increasing in India.
In addition, the sex ratio of children in the global television audience increased significantly, indicating that the growing demand for animation studio in India. Rajiv Vaishnav, vice president in IT industry body Nasscom, says 2012 will also see a major mindset change. "The outlook for the industry is changing with parents increasingly allowing their children to pursue careers in animation, visual effects, graphics or game development. It was an eye opener for the industry when a parent came along with his son to a recent Nasscom game developer conference in Pune,'' he says. Many co-production treaties have been signed by leading animation studios in India and gaming players like DQ Entertainment, Crest Animation, Technicolor Bangalore, GreenGold, Tata Elxsi, Red Chillies, PrimeFocus, Rhythm & Hues, Anibrains and Toons Animation with studious and producers in Canada, Britain, America and many parts of Asia. The impact of these agreements will unfold next year and beyond.
Animation Company in Canada relates high-end digital visual effects and computer animation for the feature film, advertising, music and television industries. he Animation Companies in Canada have a much more to offer including 3d animation and visualization services for different type of industries, such as architecture, oil and gas, advertising, science and education, publishing, web, video broadcast, etc. including some in Ottawa are privately owned and independent family entertainment company offering both domestic and international producers complete film and television production services from concept and creative development to design, production and post. They are into live-action hybrid techniques to name a few. All this is being done by latest tools and techniqiues in use for both live action and 2D animation that is capable of producing high quality 3D animation from artists who take pride even if being a small part even if upon one Animation Company in Canada.This is because they then create immersive and believable 3D worlds.
A liltle further to their profesionalism is their client care that finds its way through a tracking system that allows production partners and clients to view the status of their projects in real-time as they are produced. This tracking system is platform independent.This is because they then create immersive and believable 3D worlds.A liltle further to their profesionalism is their client care that finds its way through a tracking system that allows production partners and clients to view the status of their projects in real-time as they are produced. This tracking system is platform independent. Some of the Animation Studios in Canada and around Toronto worls in addition to its numerous work-for-hire projects, further also develops original properties and is engaged in co-productions of feature films and television series with a variety of strategic partners.
Whether you are a big movie fan or not, there is no denial in the fact that 3D movies are making a huge business these days. Since past 3-4 years film studios are looking to cash in greater amount of business by switching onto the 3D marathon. The debate between the film professionals, critics, media and movie lovers is constantly heating up. However, no one has ever come up with any appropriate conclusion yet stating that whether 3D films are better or the traditional 2D. Some says that 3D is just a passing fad as it was started earlier back in 1983 with Jaws 3. But some says it is the future of cinema. So considering yourself as a big movie fan or perhaps not what is your opinion - has 3-D already settled with it's welcome or has it already settled to be the pillar of our future film watching experience?Before we move on let's get a clear idea about the type of 3D that we are talking about. We are not referring to the computer generated characters which had created a revolution in special effects between the late 80's and early 90's.
In fact, with modern movies we are relating to the term stereoscopic 3D. Stereoscopic 3D is the technology that creates illusion of images with actual depth as opposed to a 'flat' image. This technology was unknown until the James Cameron's movie 'Avatar' high the theatres. It's been just 4 years since the release of the movie, however soon film industry in Hollywood had soon adapted the methodologies. Now, every other film is looking for a chance wherein they can get the benefit of stereoscopic 3d. But for those who are thinking that stereoscopic is a new technology, well it's not true. The early experiments on stereoscopic 3D started way back in 1800's, the technology was honed, accepted and improved a lot over the past couple of decades. It has now reach at the point where most of the film makers, producers, directors, animation and video game companies prefer to use such technology and considered it to be the future of movies, animation and video games.As stated earlier, there has been two sided debate going on related to 3D. There are many who believe 3D is a passing trend just as same as it was earlier in 1980's wherein there were number of 3D films that required viewers to watch the movie by wearing the old style red and green 3D glasses.
Most of the arguments related to movies at that time were about the prices as the ticket prices of those films were lot higher than expected. Most of the movie lovers prefer to wait for the video release and watch it in a traditional 2D rather than spending huge expenses on the tickets.On the other hand with modern stereoscopic 3D films, most of the film makers are not using the technology at its best. Ultimately, they are unable to produce the stunning 3D movie as it should be. Besides, for those film makers who focus more on the effects lacks with the story line.In the end, a lot of people now understand that there are good 3D films and bad 3D films.Finally to conclude looking at the current popularity of 3D contents including the availability of 3DTV's, 3D videogames and of course 3D movies, it's inevitable to say that stereoscopic 3D movies will stick around a way longer than expected.